Similar to last year, songs lasting between 3:21-3:40 remain on top. The most improved category is the 2:41-3:00 song, increasing its presence sevenfold! And, as long as we’re talking songs and lengths of things, can we talk about Drake already? This is like the seventh paragraph and we still haven’t mentioned the length and breadth of Drake’s magnum double-album opus, Scorpion.
Another tried-and-true method for promoting your show is to make sure your show’s information appears on local listservs, blogs, and event calendars as soon as the information is confirmed. Don’t sleep on these websites and print publications. They often post about a show weeks before the event, and local editors and writers check them out for potential editorial coverage. You can usually search for event listings and add your info yourself to their websites.
I’m not sure if it’s interesting or anti-interesting that our meter chart matches almost exactly with last year’s, at thirty-seven 4/4s, two 12/8s, and instead of the uncommon gatling gun 24/16, we found a somewhat-rare-in-its-own-right 2/4 meter.
Old school hip hop artists
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Narada Michael Walden, who produced “I Wanna Dance With Somebody,” once said that recording this song “was about trying to create the best possible record that will last for hundreds of years.” And that’s exactly what they got. It was a #1 hit when it was released in 1987, and over 30 years later, people still dance to this at weddings and sing their hearts out to it.
But keep in mind that no matter how much data these platforms offer, none of it really matters unless you actually make an effort to track it, analyze it, and then turn it into tangible action steps to grow your music career.
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
As you may already know, the use of music and lyrics in karaoke is another mechanical use that can be another source of songwriter royalties. Aside from the kick you’ll get out of hearing your friends and total strangers belting out your songs at the local bar, you’ll also earn royalties every time someone sings your song. Licensing your music for use with karaoke could also potentially generate royalty income in a number of different ways including publishing, mechanical, and synchronization rights.
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Everyone has their own tastes, so it’s difficult to pin down what makes some lyrics better than others — but still, there are many lyricists who are widely regarded as particularly masterful. A good starting place is to identify our personal favorites, study their work closely, and focus on developing our own skills.
The year’s half over but tons of great conferences are still ahead. Here are our favorite North American music gatherings that you need in your calendar.
I recommend getting a professional coach with some years of experience, who you respect as a musician, and who you admire as a singer (I’m simply describing my own vocal coach here).
Krumhansl proposed that we’ve heard enough songs in major keys to be able to pick up on what songs in major do, and how they should sound. Just like when you watch enough spy movies, you can basically predict what’s supposed to happen in the spy movie you’re about to watch. Cui says, “I’m assuming that most people hearing ‘I Wanna Dance With Somebody’ would know that it’s in major even though they might not know it’s called major.”
Or you can divert expectations by dropping out most of the instruments right before the chorus, creating the illusion that we’re about to hear an explosive chorus, only to find a mellow one instead. When done right, this is a technique that can lead to some unpredictably climactic aural experiences, but it’s less formulaic compared to the other methods, and therefore it takes practice to get it right.