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What I like to do personally is start my morning off by blazing through the most important tasks of my day while my energy and focus are at their peak. This may include sending time-sensitive files to a client, responding to emails, and bouncing stems for a performance. Pushing through my important tasks early gives me time to complete more creative tasks during the rest of the day, such as practicing my instrument, working on new material, and writing with collaborators.

Let’s face it: the music industry’s obsession with audiophile culture benefits big business more than anyone. 100 years ago, people’s minds would have been blown by a scratchy recording mechanically amplified through a gramophone. Today, we’ve been erroneously convinced that we need the best-of-the-best tech in order to truly connect with that music. At the end of the day, it’s just more money in the pockets of the 1%.

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Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

From a t-shirt and jeans with a stencil type design to full stage costumes, masks, and wigs with branded graphics, here’s why your band’s visuals matter.

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There is so much to digest here on XXL Mag; including interviews, news, and various spotlight features and specialty pieces. One of their latest is the best hip-hop projects of 2019. Not a bad place to start your discovery search!

Labeling tracks and keeping a detailed record of what’s happening during a recording session is crucial for saving time. Don’t do this during the initial recording process, which should flow without periodic interruptions, but rather when you’re mixing the material later on. Take a small amount of time to label each track or input before and after you record each piece. And keep handwritten notes in a notebook (or at least on a separate screen other than the one used to record).

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We can use the same modal shape with our legato technique as well. In this lick, we use a smooth and connected scalar approach on the first three beats, then shift gears to outline the chord by playing a Dm6 arpeggio. The lick ends on a common pentatonic bend to circle back around to the blues.

It’s always good to try to find ways to reengage with your collaborators even if they live elsewhere — developing and maintaining a network of home recording cowriters and musicians you can hit up is a very valuable musical practice. So last Friday, I shot him a text asking if he could track something for me by Sunday. I had a flawless solo take and some background parts less than two hours later.