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Take a look back at television shows that were geared towards young children throughout the decades and listen to their themes. I’m a ’90s kid myself, so I watched a lot of shows on PBS Kids, especially Arthur, and I watched a lot of Disney movies like The Little Mermaid, Aladdin, and Hercules. When songs and musical pieces mimic scale degrees from these shows and movies and focus on notes 1, 2, 3, and 5 in a scale, they bring me back to my childhood just a bit.

Our friends over at Bandzoogle had similar fears and a wholly constructive epiphany as to how they could use their platform to both fill the crowdfunding void that PledgeMusic left behind and learn from their tragic mistakes in the process. Bandzoogle has created a new preset page template that automatically populates websites with specific tools for musicians to run a crowdfunding campaign without taking any commissions on sales, or even inserting themselves into the payment transaction chain at all. 

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Are you writing for millennials? A lot of millennials went through their rebellious phases when emo music was at its peak. With their brains changing and their hormones raging, the simple chord progressions and major tonalities of emo and pop punk have most likely been stamped into their subconscious as instant bookmarks of this phase of their life. Re-orchestrating a progression like vi-IV-I-V for non-guitar instruments will surely bring this audience back in subtle, emotive ways.

By developing consistent workflows, streamlining one’s process (like for example using shortcut commands), setting limitations as well as reasonable yet strict deadlines, you will begin to see tasks getting completed faster and projects sounding better. In addition, focusing on optimizing your time management will naturally leave you with good habits and higher levels of confidence.

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In 12-TET, you don’t define your intervals by tidy ratios of whole numbers. Instead, you divide up the octave into twelve equally-sized semitones (the interval between two adjacent piano keys or guitar frets). You then add semitones together to make all the other intervals. To go up a semitone from any note, you multiply its frequency by the 12th root of two. To go down a semitone from any note, you divide its frequency by the 12th root of two. If you go up by an octave (12 semitones), you’re multiplying your frequency by the 12th root of two 12 times, which works out to two.

I love La Havas because she plays intricate yet simple guitar parts that have helped me become a better player. Her music spans genres and shows how diverse music is nowadays — she’s a gorgeous mixture of neo-soul, rock, jazz, pop, and soul, wrapped into one.