Carla Malrowe is a singer, composer, keyboardist, writer, and music industry marketer from Johannesburg, South Africa. She is the co-founding vocalist, keyboardist and contributing songwriter for industrial goth-rock band Me’ek. As copywriter and content marketer, she develops marketing strategies for various music events companies to the purpose of growing the South African alternative music scene. Marlowe is excited to announce that she is currently working on the debut EP of her new electronic project “Shiver Kiss.”
I still recall being a young aspiring musician recording my first ever album with my bandmates. We spent weeks working on perfecting our recordings, getting the takes just right. The engineer helped us along the way with mixing in amazing effects, EQ, and panning to get it sounding just how we wanted. When it was all wrapped up in the studio, we smiled and patted each other on the back and truly believed this was the finished product we had all been waiting for.
You can see why turntablists like scratching “ahhhh” and “fressssshhhh” so much — they’re structureless slabs of tuned white noise, so they’re more forgiving. Scratching a rap a cappella is another story. The words have meanings, and the pitches have a musical context. When a word falls in the wrong spot or with the wrong emphasis, it sounds much worse than a wrong note in a jazz solo, and an untrained listener is more likely to notice it.
I love this quote from one of my favorite songwriters. Have you ever heard a song that captures exactly what you’re feeling? A song that makes you say, “YES! That’s exactly it, I just wasn’t able to express it myself!” Well, my friends, that’s one of the many joys of songwriting. So yes, you have a responsibility to help others with your words and melodies. Some days you might feel like you’re not helping anyone, but remember: The world needs the magic of music. And if musicians didn’t exist, we would never have that feeling of catharsis. And I don’t want to live in that world.
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Going on tour soon but don’t know how to get the word out? Here’s a list of amazing strategies to put your band on the map and make your travels count!
If that wasn’t enough, Ithaca is also home to 73 Records, a youth-run label that releases music by kids and young adults — mainly still in high school. It’s a community that supports musicians (full stop).
The sound effects library will have presets to choose from such as “Dance Vocal,” “Natural Vocal,” etc., but feel free to pick and choose effects that sound good on your recording by trial and error. A little bit of reverb or delay can go a long way in making the vocals in your demo stand out and not sound jarringly raw.
Community music grants
Efa Etoroma, Jr. is a Los Angeles-based professional drummer, composer, and educator who is known for his stylistic versatility, expressive creativity, and his deep musical instincts. He performs and/or records with a variety artists including Moonchild, Sneakout, Ellen Doty, Bennie Maupin, A La Mer, BRNSTRM, The Writers’ Guild, and Sensae. In addition, Efa Jr. serves on the drum set faculty at the Musician’s Institute in Hollywood, California and teaches songwriting and music production at Citystage LA. Efa Jr. uses Yamaha Drums, Paiste Cymbals, Promark Sticks, Humes and Berg Cases, and Remo Drumheads, exclusively.
Like any piece of machine-learning tech, you’re bound to run into some bugs and kinks. What problems have appeared in beta versions of the tech that have needed to be worked out in further iterations?
Let’s look at some examples and how to approach writing with both kinds of bass sounds. And if this article whets your appetite for hip-hop beat production tips, head over to our mentored online course The Art of Hip-Hop Production now and grab a free preview!
The two scales differ from each other by only one note: B natural in the Dorian mode (a major sixth) as opposed to a B♭ (a minor sixth) on the same degree of the D Aeolian (Natural minor). These two modes are minor modes, because they share the presence of an F as a third degree of the scale (which, in music theory books is called “Modal” degree because it sets the mode of the scale and its general mood).
By paying close attention to your playing and constantly giving yourself feedback, you can focus in on the moments that give you the most trouble and work at those specifically. One additional way to give yourself feedback might be to record yourself. If I record myself playing my Errol Garner tune, I can even compare it to the original, and make notes about the spots where I’m not quite getting it right!