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Not every house show needs to be strictly acoustic, but most don’t provide the space or gear for earth-shattering volumes or fancy sound effects. These limited setups sharpen an artist’s performance skills and often lead to new creative interpretations of their music, and more comfort in one’s ability to make do.

But perhaps the most commonly popularized use of the horizontal hemiola pattern is found in Leonard Bernstein’s “America” from his brilliant West Side Story musical. The following Latin-music-inspired motif is so clearly supplanted as the foundation of this song’s structure, it’s almost impossible to hear the horizontal hemiola without thinking of it. Here, the effect of modulating between duple and triple meter feels particularly strong.

Wait, let me back up. Actually, I did know they existed because we put one in our 2018 Holiday Gift Guide for musicians recently. But, seriously, who knew that this was actually “a thing,” and that there are literally hundreds of different coloring books out there for almost every cultural fan community? It seems today’s biggest pop stars are out there eagerly awaiting to be colored in.

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The music industry has once again gone through a tremendous transformation. Traditional roles in the business of creating music have been redefined and revolutionized.

In this climate of increasing lawsuits, protecting your intellectual musical property is becoming an essential tool in the songwriter’s toolkit. Learn more.

(If you find yourself lost in all the music theory below, check out our free series of courses, Theory for Producers, and catch up on the fundamentals, even if you can’t read sheet music!)

“I have taken three courses with Soundfly and have been very impressed by the quality of the course and more importantly, the quality of the feedback. The deep feedback and analysis I get from my mentors has been wonderful. I do not ever recall getting this level of feedback nor support in previous online courses (or live courses for that matter.)”

With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.

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In 2013, Marvin Gaye’s estate sued Robin Thicke, T.I. (Clifford Joseph Harris, Jr.), and Pharrell Williams, claiming that their smash hit “Blurred Lines” stole from Gaye’s 1977 song “Got to Give It Up,” as well as from Funkadelic’s “Sexy Ways” from 1974. Though Thicke and Pharrell were found guilty as songwriters, there are no proven musical similarities between the two songs. The jury was influenced by the “feel” and “groove” of the two works, components that are not protected under copyright law. Many musicians and legal experts were concerned that this decision set a dangerous legal precedent and blurred the lines of what musical elements are protectable.

Radio City Music Hall is such an iconic example of a high-end, large-scale venue that most musicians drool over, but I think I’d have to say that the venue I’d most like to play anywhere is actually Red Rocks in Colorado—it just looks so breathtaking and like a place people really appreciate art and open themselves to the whole experience of the show.

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Mix buss compression is a great way to add a little bit of excitement and glue to your mix. Some people like to slap it on the master buss after they have mixed it (Ryan West for example, whose credits include Jay-Z, Eminem, Kid Cudi, Maroon 5, T.I., Rihanna, and Kanye West). And some engineers like to slap a little bit of compression on in the beginning and mix through it. I don’t think there is a right or wrong way when it comes to when to put it on.

Program fees: The residency fee, including room, studio, and residency programming, is $400/week ($57/day). Sponsorships are awarded based on merit and need. The cost to apply is $25.