We can use the same modal shape with our legato technique as well. In this lick, we use a smooth and connected scalar approach on the first three beats, then shift gears to outline the chord by playing a Dm6 arpeggio. The lick ends on a common pentatonic bend to circle back around to the blues.
It’s always good to try to find ways to reengage with your collaborators even if they live elsewhere — developing and maintaining a network of home recording cowriters and musicians you can hit up is a very valuable musical practice. So last Friday, I shot him a text asking if he could track something for me by Sunday. I had a flawless solo take and some background parts less than two hours later.